Matthew considers ‘not making’ as a post-conceptual practice that explores immateriality through an understanding of a post-Marxist aesthetics and the commercialisation of ‘non-productive labour’. The research invokes critical ideologies as a deconstruction of art and the everyday, presented through installation, performance and text.
Matthew has participated in These Economies, a performance with Bus Projects for Sydney Contemporary in 2015, part of the Stonevilla Wearable Art Prize in 2017 and most recently for Alicia Frankovic's, 'The Work' for 'Making Art Public: 50 Years of Kaldor Public Art Projects' at the Art Gallery of New South Wales (2019).
Lone Goat Gallery, group show 'Five Lone Goats on Cézanne's Mountain' (2020)*
Our Neon Foe, solo show 'Alpha hotel foxtrot oscar romeo foxtrot uniform charlie kilo sierra alpha kilo echo.' (2019)
Sydney Art Month, Emerson 2.0 (2019)
Stonevilla Fundraiser (2018)
EF18: Your privacy is very important to us, 107 Projects (2018)
FELTspace, solo show 'The state of being natural' (2017)
Graduate Exhibition, Sydney College of the Arts (2017)
Undergraduate Exhibition, Sydney College of the Arts (2016)
Ideally Yes, Interlude Gallery (2016)
Tiles Exhibition, Shepherd Street, Chippendale (2016)
Fklty of Chaos, Articulate Projects (2015)
Four X Four, Mint Studios, Sala Festival (2015)
Download: Curriculum Vitae.pdf